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Terms and conditions applyFrank Gehry: The Houses
Mildred Friedman
Product details
Format: Book
Pages: 320
Publisher: Rizzoli
Date Published: Oct 2009
Stock Code: 70207
ISBN: 9780847830602
Binding: Hardback
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Description
One of the great architects of our time, Frank Gehry has revolutionised the use of materials in design and redefined how architects use computers as a design tool to advance form-making as we know it. He has achieved worldwide fame for such large-scale public projects as the Guggenheim Museum in Bilbao, Spain, and the Walt Disney Concert Hall in Los Angeles, California, but it was in private houses that Gehry first explored and interrogated the principles of modern architecture. In these houses most notably his own, in Santa Monica, California, Gehry distorted, expanded, and collapsed the modernist box, exploring everyday materials (corrugated metal, unfinished plywood, and chain link), experimenting with colour, and challenging accepted notions about geometry and structure.
Featured Reviews
Reviewed in archidose by John Hill, practicing architecture graduate of Kansas State University.
The same year that the Guggenheim opened in Bilbao I splurged on 'Frank O. Gehry: The Complete Works' by Francesco Dal Co and Kurt W. Forster. After the book received an update six years later I couldn't help think that publishers put out so-called monographs to make money many times over on basically the same product. Cynicism aside, the subsequent publication points out how monographs that call themselves complete works aren't really "complete" until the architect has stopped designing buildings, usually the result of death. This collection of houses by the Pritzker Prize-winning architect does not purport to be complete - presented is actually a selection of Gehry's residential commissions - but it is that more than Dal Co and Forster's mammoth book. Since the architect's projects are now much larger in scope and size than single-family houses, it's safe to say that we won't see any more Gehry-designed houses*. So this book acts as a fairly decent summation of one aspect of Gehry's oeuvre, spanning the various phases of his career, from his inexpensive origins to his CATIA-enabled large-scale sculptures.But the book is much more than a look back at Gehry's evolution over the years. It contains portraits of the different clients Gehry worked with (most clients were interviewed for the book); it reveals the Gehry's working process in relatively intimate ways; and it reveals the interaction, the relationships between these two personalities. Mildred Friedman, curator of Gehry's first major retrospective in 1986 at the Walker Art Center, has crafted an architecture book that will appeal to not just architects, a rare and welcome feat. Gehry may be the contemporary architect able to do so with his name and eye-catching designs, but I doubt the same could apply to Gehry's Complete Works. The inclusion of the clients' insights into the building of their houses and working with Gehry broaden the focus from architecture to living in architecture. The accompanying photography combine with the interviews to capture not only what makes Gehry's architecture unique but what makes each house a home. * Minus a new Gehry house that may or may not happen.
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