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Mimar Koca Sinan (c. 14891588), the Great Architect Sinan, was appointed chief royal architect to the Ottoman court by Sultan Suleyman I in 1539. During his fifty-year career he designed and constructed hundreds of buildings including mosques, palaces, harems, chapels, tombs, schools, almshouses, madrassahs, caravanserais, granaries, fountains, aqueducts and hospitals. His distinctive architectural idiom also left its imprint over the terrains of a vast empire extending from the Danube to the Tigris, and he became the most celebrated of all Ottoman architects, particularly renowned for his influence on the cityscape of Istanbul.

Sinans most influential buildings were his mosque complexes, where his inventive experimentation with light-filled centralized domes, often compared with parallel developments in Renaissance Italy, produced spaces in which the central dome appeared weightless and the interior surfaces bathed in light. In this monumental new study, Glru Necipoglu argues that Sinans rich variety of mosque designs sprang from a process of negotiation between the architect and his patrons, rather than from unrestrained formal experimentation as has been previously described. The author is the first to use published and unpublished primary sources to illuminate the cultural setting in which Sinans monuments were produced, received and experienced.

The author describes how Sinan created a layered system of mosque types, reflecting social status and territorial rank, shaped by ideas of identity, memory and decorum. Seen from this perspective, Sinans works, with their highly standardized pattern of forms, used in ingeniously varied combinations, acquire dimensions of meaning that have not been previously recognized.